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The piece translated the filmic language of Rainer Werner Fassbinder's Bitter Tears of Petra von Kant onto a stage of male dancers. The music and sound design was made up of three elements. Atmospheric, barely perceptible hisses and tones made within the limited looping potential of cheap samplers. Intermittent guitar/saxophone versions of records played on the referenced film. Sound design by Saunders that complemented an ominous transitionary state in which the performers 'prepared' the stage for a new section.